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<li class="nav-li home-li active"><a class="nav-item" value="home">Home</a></li>
<li class="nav-li about-li"><a class="nav-item" value="about">Introduction</a></li>
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Ferrara</a></li>
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<h1 class="main-title text-right">
<b>Genesis Bologna 2024</b>
</h1>
<p class="homepage-side-right no-margin-bottom">Constants and Variants</p>
<p class="homepage-side-right no-margin-bottom">in Genetic Criticism</p>
</div>
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<div class="col-md-6 col-sm-12 col-xs-12 padding-main-section text-center">
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<p class="homepage-side">
University of Bologna, Department of <i>Classical Philology and Italian Studies</i>
</p>
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<div class="col-md-12 mt-2">
<p class="homepage-side">
Co-organised by the Department of Humanistic Studies o di Studi Umanistici (University
of
Ferrara)
Ariostea Library (Ferrara)
/DH.arc (University of Bologna)
ITEM (CNRS, Paris)
</p>
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<h2 class="main-title mt-3 h2 bottom text-left">
<b>9-11 May 2024</b>
</h2>
<p class="homepage-side margin-bottom-button">
Aula Pascoli, Via Zamboni 32, Via Andreatta, 8, University of Bologna-Ariostea Library,
Ferrara
</p>
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<h2 class="secondary-title">Introduction</h2>
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<p class="justify p-section">
When, in 1937, Gianfranco Contini travelled to Paris to meet Valéry, right in the middle of the
<i>International Exhibition</i> that had presented the masterpieces of French literature in the
magnificence
of the exhibition <i>Preliminaries to a Museum of Literature</i> (Valéry-Caen), along with the
birth of
variant
criticism, the perception of the text changed, as it was no longer considered a fixed object,
but a process.
From this moment on, in the European culture that had laid the foundations of a ‘fixed’
tradition, where
the variation of the author’s different wills had been balanced by the stability of the press,
and the dogma
of the <i>author’s last will</i>, variation, mouvance (Zumthor), and a <i>plural idea of the
author’s will</i>
(Rico)
come into play. The text is conceived not as a synchronic point of arrival, but as a “diachrony,
constituted by a sum of synchronies” (Segre), in which each station along the way is endowed
with <i>poetic
value</i> (Contini). But there is more. Thanks to the fruitful encounter with Saussure’s
structural
linguistics,
the movements of the text are inserted into a system, in which the variants are within an
individual
pattern, for each author, and where the modes of material correction interact with those of
linguistic
correction. The aim of criticism, therefore, is to include in the characterizing description
that defines
an author’s ‘style’, the detection of the ‘constants in the variants’.
</p>
<p class="justify p-section">
The “Genesis” 2024 meeting dedicated to <i>Constants and Variants in Genetic Criticism</i>
therefore
intends to document and discuss the alternation between the elements of the “author” system, and
the
“language” system, that vary incessantly, and those that show similarities, constants, leading
to the
identification, for each author, or groups of authors, of a “style”. Genetic criticism reveals
itself, in this
perspective, to be a discipline encompassing <i>philology and criticism</i>, whose objective is
not
only to
represent the process, but to interpret it, and a <i>trans-media</i> discipline, because such an
approach does
not only concern the genesis of manuscript and printed texts, but of all the products of genius
that have
had a genesis and evolution, from the most traditional (poetic texts, short stories, novels,
essays,
theatrical texts) to those that have innovated literary genres (screenplays, storyboards,
graphic novels,
narrative nonfiction, without neglecting the visual arts).
</p>
<p class="justify p-section margin-bottom-section">
In the transition of the last three decades, from the manual/mechanical production of texts, to
a purely mechanical production, where the entire workflow, from design to printing and
dissemination
takes place on a digital medium, where the identity of the author is challenged by the multiple
identities
of a collaborative and social author (Shillingsburg), corrections have not disappeared, but
proliferate in
a rhizomatic multiplicity of variants, all traceable and memorable (Kirschenbaum), the challenge
for
criticism is still to study the fascinating interweaving of <i>constants and variants</i>. The
concept
of fluid text,
of ‘text in time’ (Buzzoni), introduced into 20th century culture by Genetic Criticism, proves
to be the
most productive for investigating the mechanisms of creation, whether on the white sheet of
paper or
on the black screen.
</p>
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<h3 class="center-text no-margin-top thumbnail-title">Date</h3>
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9-11 May 2024
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<h3 class="center-text no-margin-top thumbnail-title">Location</h3>
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<ul>
<li><a href="https://maps.app.goo.gl/RdCyNX6nzWEmGqM86"
title="Accademia delle Scienze, Manfredi Room, Via Zamboni, 31, University of Bologna on maps">Accademia
delle Scienze, Manfredi Room, Via Zamboni, 31, University of Bologna</a></li>
<li><a href="https://maps.app.goo.gl/VRhiUBWUKpez65s87" target="_blank"
title="Aula Room, Via Zamboni, 32, University of Bologna on maps">Pascoli Room,
Via Zamboni, 32, University
of Bologna</a></li>
<li><a href="https://maps.app.goo.gl/i2kHyjcry89N4DRS8" target="_blank"
title="Via Andreatta, 8, University of Bologna on maps">
Via Andreatta, 8, University
of Bologna</a></li>
<li><a href="https://maps.app.goo.gl/NogHvQ6iH2eTP6Nx6" target="_blank"
title="Ariostea Library on maps">Ariostea Library, Agnelli Room, via delle
Scienze, 17 Ferrara</a></li>
<li><a href="https://maps.app.goo.gl/deo2LSeB9GgzfzQN9">University of Ferrara, via del
Paradiso 12, Ferrara</a></li>
<li>Online by clicking on <a href="" title="Teams link" target="_blank"><button
class="time-span">
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</a> in the programme.</li>
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<h3 class="center-text no-margin-top thumbnail-title">Programme</h3>
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<p class="color-black justify p-section">Download the <a href="doc-download/locandina.pdf"
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in PDF.
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<li role="presentation" class="active"><a href="#may-9" aria-controls="may-9" role="tab"
data-toggle="tab">9<sup>th</sup> May</a></li>
<li role="presentation"><a href="#may-10" aria-controls="may-10" role="tab"
data-toggle="tab">10<sup>th</sup> May</a>
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<h4>
<b>BOLOGNA SESSION</b> (Sala Manfredi dell'Accademia delle Scienze, Via Zamboni 31)
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_ZGZlMjcyYmUtNWEwYy00OGFiLThhYTgtZmEwZjMxNDcyMjdk%40thread.v2/0?context=%7B%22Tid%22%3A%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2C%22Oid%22%3A%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%2C%22IsBroadcastMeeting%22%3Atrue%2C%22role%22%3A%22a%22%7D&btype=a&role=a"
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<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">5.30 PM - 6.15 PM</span>
</p>
</div>
<div class="col-md-8">
<p class="bold justify p-section">Special event: <i>Lectio Magistralis</i></p>
<p class="presenter"><span class="bold">Lina Bolzoni</span> (Scuola Normale Superiore,
Pisa):
<i>Variants of Ariosto’s Illustrations</i> (Galassia Ariosto)
</p>
</div>
</div>
</div>
</div>
<!-- 10 May -->
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<div class="col-md-6 time-border mt-2">
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<h4><b>BOLOGNA SESSION</b> (Aula Pascoli, Via Zamboni, 32) <a
href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_NjRhYTIwOGEtNmU5Ni00ODc2LTk4YmItNmRjNTg4YjllMGZj%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
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<div class="row mt-2">
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<p class="color-black justify p-section"><span class="time-span">8.45 AM – 9.00 AM</span>
</p>
</div>
<div class="col-md-8">
<p class="justify p-section">Registration and Coffee</p>
</div>
</div>
<div class="row mt-2">
<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">9.00 AM – 9.15 AM</span>
</p>
</div>
<div class="col-md-8">
<p class="presenter">Welcome Paola Italia (University of Bologna) and Nathalie Ferrand
(ITEM, Paris)</p>
</div>
</div>
<div class="row mt-2">
<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">9.15 AM – 10.00 AM</span>
</p>
</div>
<div class="col-md-8">
<p class="justify p-section"><i>Lectio Magistralis</i></p>
<p class="presenter">
<span class="bold">Louis Hay</span> (ITEM) <i>Qu’est-ce que la critique génétique?</i>
</p>
</div>
</div>
<div class="row mt-2">
<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">10.00 AM – 10.45 AM</span>
</p>
</div>
<div class="col-md-8">
<p class="justify p-section"><i>Theoretical issues in genetic criticism</i></p>
<p class="presenter">
<span class="bold">Key Note 1 João Dionísio</span> (University of Lisbon) <i>Beyond 1X2
and the lexical model: author’s libraries and exogenetics</i>
</p>
</div>
</div>
<hr>
<!-- PARALLEL SESSION 1 -->
<div class="row mt-2">
<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">10.45 AM - 11.45 AM</span>
</p>
</div>
<div class="col-md-8">
<p class="presenter bold">1. <i>The invention of the Authorial Gesture: Enlightenment and
Romanticism</i></p>
</div>
</div>
<!-- PARALLEL SESSION 1A -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-1a" aria-expanded="false" aria-controls="session-1a">
Session <b>1A</b> Discussant: <b>Paola Italia</b> - Pascoli Room (Via Zamboni 32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_NjRhYTIwOGEtNmU5Ni00ODc2LTk4YmItNmRjNTg4YjllMGZj%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
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<div class="collapse" id="session-1a">
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<ol>
<li class="mb-3">Nathalie Ferrand, <i>Genèse d’une correspondance d’écrivain:
constantes et
variantes dans les brouillons épistolaires de Jean-Jacques Rousseau</i>
[fr]
</li>
<li class="mb-3">Federica Maria Giallombardo, Chi tanto te onorò con degne
carte. <i>L’ultima
epistola (non) alfieriana</i> [ita] </li>
<li>Alessandro Vuozzo, <i>Due paure, un Timore: a proposito di una
variante
genetica dell’Etruria vendicata e di alcune costanti del pensiero
politico
di Alfieri</i> [ita]</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 1B -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-1b" aria-expanded="false" aria-controls="session-1b">
Session <b>1B</b> Discussant: <b>Giulia Raboni</b> - Guglielmi Room (Via Zamboni 32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_NzkzZTlmYzUtMWFhZS00MzgyLWFjYzktNmFjMDE3OWZhZTlm%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
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</a>
<div class="collapse" id="session-1b">
<div class="well">
<ol>
<li class="mb-3">Massimo Castoldi, <i>Dall’edizione critica di Myricae alle
copie
di lavoro: cinquant’anni di filologia pascoliana</i> [ita]
</li>
<li class="mb-3">Leyla M.G. Livraghi, <i>Alexandros di Giovanni Pascoli -
scartafacci, fasi redazionali e fonti</i> [ita]</li>
<li>Tânia Furtado Moreira, <i>The Challenges of Editing O que Fazem
Mulheres by Camilo Castelo Branco</i> [en]</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 1C -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-1c" aria-expanded="false" aria-controls="session-1c">
Session <b>1C</b> Discussant: <b>Christian Del Vento</b> - Pasoli Room (Via Zamboni 32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_YjljMDJlN2YtYmE0OC00NGVkLWJiODktODU3MGFjMGE1M2E3%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
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<path
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<div class="collapse" id="session-1c">
<div class="well">
<ol>
<li class="mb-3">Milena Giuffrida, <i>Le due «divine facoltà»: fantasia e
immaginazione ne Il marchese di Roccaverdina</i> [ita]
</li>
<li class="mb-3">Beatrice Nava, <i>«Un cuor che agogna sol d’esser ben noto»:
genesi del personaggio Carmagnola</i> [ita]</li>
<li>Daniela Shalom Vagata, <i>Da un Inno a tre Inni: costanti e
varianti nel mito poetico dell’Inno alle Grazie di Ugo Foscolo</i> [ita]
</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 1D -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-1d" aria-expanded="false" aria-controls="session-1d">
Session <b>1D</b> Discussant: <b>Francesca Tomasi</b> - Zanetti Room (Via Zamboni 32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_ZDk5ODIzYjAtYWExNi00ZDA0LWE5OWItY2M4ZWNkNDE1NmQ0%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
class="bi bi-laptop" viewBox="0 0 16 16">
<path
d="M13.5 3a.5.5 0 0 1 .5.5V11H2V3.5a.5.5 0 0 1 .5-.5zm-11-1A1.5 1.5 0 0 0 1 3.5V12h14V3.5A1.5 1.5 0 0 0 13.5 2zM0 12.5h16a1.5 1.5 0 0 1-1.5 1.5h-13A1.5 1.5 0 0 1 0 12.5" />
</svg>
</button>
</a>
<div class="collapse" id="session-1d">
<div class="well">
<ol>
<li class="mb-3">Sandra Cristina de Jesus Bôto, <i>An approach to digital
textual
genetics: from Almeida Garrett's romantic ballad to a traditional ballad
archetype</i> [en] <span
class="bg-white color-dimgray padding-x-10">Online</span></li>
<li class="mb-3">Franz Fischer, Claus Zittel, Daniele Fusi, Matteo Zupancic,
<i>Goethe’s Venezianische Epigramme. A Critical Digital Edition</i> [en]
</li>
<li>Matteo Zibardi, <i>Using MEDITE to understand patterns of
textual
variants: the case study of Balzac’s La Vendetta</i> [en]</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 1E -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-1e" aria-expanded="false" aria-controls="session-1e">
Session <b>1E</b> Discussant: <b>Luca Mazzocchi</b> - Room L (Via Andreatta 8)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_YWE4ODM1NjctYzQ5My00MTZiLWI2MWQtOWE2Y2FkNzM0OTMz%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
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d="M13.5 3a.5.5 0 0 1 .5.5V11H2V3.5a.5.5 0 0 1 .5-.5zm-11-1A1.5 1.5 0 0 0 1 3.5V12h14V3.5A1.5 1.5 0 0 0 13.5 2zM0 12.5h16a1.5 1.5 0 0 1-1.5 1.5h-13A1.5 1.5 0 0 1 0 12.5" />
</svg>
</button>
</a>
<div class="collapse" id="session-1e">
<div class="well">
<ol>
<li class="mb-3">Ágnes Kelevéz, <i>Le message changeant des notes marginales
dans les éditions de Mihály Babits</i> [fr] <span
class="bg-white color-dimgray padding-x-10">Online</span></li>
<li class="mb-3">Panagiotis Markou, <i>Collecting and Incorporating Exogenetic
Material into Fiction: Giorgos Seferis’s Duping of Reality in Six Nights
on
the Acropoli</i> [en]</li>
<li>Yi Peng, <i>Variants and Varieties: The Case of The
Philosophical
Investigations</i> [en]</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 1F -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-1f" aria-expanded="false" aria-controls="session-1f">
Session <b>1F</b> Discussant: <b>Nicola Bonazzi</b> - Room M (Via Andreatta 8)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_MDY0MWYyZDEtZDZjYi00ZjBhLWE5NmUtYWNhMTA0N2Q2NzU4%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
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<path
d="M13.5 3a.5.5 0 0 1 .5.5V11H2V3.5a.5.5 0 0 1 .5-.5zm-11-1A1.5 1.5 0 0 0 1 3.5V12h14V3.5A1.5 1.5 0 0 0 13.5 2zM0 12.5h16a1.5 1.5 0 0 1-1.5 1.5h-13A1.5 1.5 0 0 1 0 12.5" />
</svg>
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</a>
<div class="collapse" id="session-1f">
<div class="well">
<ol>
<li class="mb-3">Chiara Montini, <i>Il Philippe,</i> Filippo, Filippe, Philippe
<i>di
Alfieri: varianti e costanti</i> [ita]
</li>
<li class="mb-3">Fabio Ramasso, <i>Il mito come fondamento di una critica
genetica.
Il lavoro ermeneutico in Medea. Voci di Christa Wolf e Materiali per
Medea
di Heiner Müller</i> [ita]</li>
<li>Elisabetta Tonello, <i>Finzione e menzogna. Per uno studio del
tema
del doppio nella Tosca di Illica, Giacosa e Puccini attraverso
l’edizione
genetica del libretto</i> [ita]</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 1G -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-1g" aria-expanded="false" aria-controls="session-1g">
Session <b>1G</b> Discussant: <b>Martina Mengoni</b> - Room P (Via Andreatta 8)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_YmEyMGZkMTUtMTcxYS00YzBiLTg1NGUtZThjNjNhOWRhN2I5%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
class="bi bi-laptop" viewBox="0 0 16 16">
<path
d="M13.5 3a.5.5 0 0 1 .5.5V11H2V3.5a.5.5 0 0 1 .5-.5zm-11-1A1.5 1.5 0 0 0 1 3.5V12h14V3.5A1.5 1.5 0 0 0 13.5 2zM0 12.5h16a1.5 1.5 0 0 1-1.5 1.5h-13A1.5 1.5 0 0 1 0 12.5" />
</svg>
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</a>
<div class="collapse" id="session-1g">
<div class="well">
<ol>
<li class="mb-3">Mattia Cravero, <i>Filologia della metamorfosi. Primo Levi e il
Re
dei Giudei da «La Stampa» a I sommersi e i salvati</i> [ita]</li>
<li class="mb-3">Cynthia Gabbay, <i>The Sacred Life of a Manuscript in Jewish
Translation: from Genizah during the Shoah to Recovery through a
Studying
Hevruta</i> [en] <span
class="bg-white color-dimgray padding-x-10">Online</span></li>
<li>Alice Gardoncini, <i>Tre rifrazioni di</i> Se questo è un uomo
<i>in
Germania</i> [ita]
</li>
</ol>
</div>
</div>
</div>
</div>
<hr>
<div class="row mt-2">
<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">11.45 AM – 12.00 PM</span>
</p>
</div>
<div class="col-md-8">
<p class="presenter">Coffee Break</p>
</div>
</div>
<!-- PARALLEL SESSION 2 -->
<div class="row mt-2">
<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">12.00 PM – 1.00 PM</span>
</p>
</div>
<div class="col-md-8">
<p class="presenter bold">2. <i>The “short century” between constants and variants</i></p>
</div>
</div>
<!-- PARALLEL SESSION 2A -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-2a" aria-expanded="false" aria-controls="session-2a">
Session <b>2A</b> Discussant: <b>Paola Italia</b> - Pascoli Room (Via Zamboni 32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_NjRhYTIwOGEtNmU5Ni00ODc2LTk4YmItNmRjNTg4YjllMGZj%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
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<div class="collapse" id="session-2a">
<div class="well">
<ol>
<li class="mb-3">Andrea Comboni, <i>Da</i> Un fulmine sul 220 <i>a</i>
L’Adalgisa<i>: costanti
variantistiche gaddiane</i> [ita]</li>
<li class="mb-3">Luca Mazzocchi, <i>L’autore autoptico: sulle note dell’Adalgisa
di C.E. Gadda</i> [ita]</li>
<li>Filippo Pelacci, <i>Costanti nelle varianti: metodologie
correttorie nell’incompiuta Meditazione milanese di Carlo Emilio
Gadda</i> [ita]
</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 2B -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-2b" aria-expanded="false" aria-controls="session-2b">
Session <b>2B</b> Discussant: <b>Yi Peng, Saverio Vita</b> - Guglielmi Room (Via Zamboni
32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_NzkzZTlmYzUtMWFhZS00MzgyLWFjYzktNmFjMDE3OWZhZTlm%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
class="bi bi-laptop" viewBox="0 0 16 16">
<path
d="M13.5 3a.5.5 0 0 1 .5.5V11H2V3.5a.5.5 0 0 1 .5-.5zm-11-1A1.5 1.5 0 0 0 1 3.5V12h14V3.5A1.5 1.5 0 0 0 13.5 2zM0 12.5h16a1.5 1.5 0 0 1-1.5 1.5h-13A1.5 1.5 0 0 1 0 12.5" />
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<div class="collapse" id="session-2b">
<div class="well">
<ol>
<li class="mb-3">Akimova Marina, <i>Les carnets de Vladimir Nabokov et sa
techinque
du vers</i> [en]</li>
<li class="mb-3">Kostis Pavlou, <i>Solomos’s virtual library, or constants and
variants in a multilingual poet’s note-taking practices</i> [en]</li>
<li>Gabriele Wix, <i>The Genesis of an Author‘s Style: Thomas
Kling,
for example</i> [en] <span
class="bg-white color-dimgray padding-x-10">Online</span></li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 2C -->
<div class="row">
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Session <b>2C</b> Discussant: <b>Dirk Van Hulle</b> - Pasoli Room (Via Zamboni 32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_YjljMDJlN2YtYmE0OC00NGVkLWJiODktODU3MGFjMGE1M2E3%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
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</a>
<div class="collapse" id="session-2c">
<div class="well">
<ol>
<li class="mb-3">Patrick Hersant, <i>“Ask Bonnefoy”: a poet and his translator
conversing on the drafts</i> [en] <span
class="bg-white color-dimgray padding-x-10">Online</span></li>
<li class="mb-3">Anna Saroldi, <i>The Multilingual Genesis of Peter Robinson’s
Creative Process</i> [en] <span
class="bg-white color-dimgray padding-x-10">Online</span></li>
<li>Zoltán Szénási, <i>Exogenetic dimensions: Variants of
intertextuality in the genetic dossiers of Mihály Babits' poems</i> [en]
</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 2D -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-2d" aria-expanded="false" aria-controls="session-2d">
Session <b>2D</b> Discussant: <b>Mateusz Antoniuk</b> - Zanetti Room (Via Zamboni 32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_ZDk5ODIzYjAtYWExNi00ZDA0LWE5OWItY2M4ZWNkNDE1NmQ0%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
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d="M13.5 3a.5.5 0 0 1 .5.5V11H2V3.5a.5.5 0 0 1 .5-.5zm-11-1A1.5 1.5 0 0 0 1 3.5V12h14V3.5A1.5 1.5 0 0 0 13.5 2zM0 12.5h16a1.5 1.5 0 0 1-1.5 1.5h-13A1.5 1.5 0 0 1 0 12.5" />
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</a>
<div class="collapse" id="session-2d">
<div class="well">
<ol>
<li class="mb-3">Agnieszka Kuniczuk, <i>Between literary mutability and
censorial
constancy: Eliza Orzeszkowa's Gloria Victis series</i> [en]</li>
<li class="mb-3">Pascale Sardin, <i>Constants and variants in the failed
co(py)editing of Marguerite Duras’s</i> Ten-Thirty One Summer Night
<i>and</i> The
Afternoon of Monsieur Andesmas <i>(Grove Press, New York and John Calder,
London 1962-1966)</i> [en]
</li>
<li>Jason Wiens, <i>Revision and Collective Authorship in Alice
Munro’s</i> Hold Me Fast, Don’t Let Me Pass [en] </li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 2E -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-2e" aria-expanded="false" aria-controls="session-2e">
Session <b>2E</b> Discussant: <b>Nathalie Ferrand</b> - Room L (Via Andreatta 8)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_YWE4ODM1NjctYzQ5My00MTZiLWI2MWQtOWE2Y2FkNzM0OTMz%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
class="bi bi-laptop" viewBox="0 0 16 16">
<path
d="M13.5 3a.5.5 0 0 1 .5.5V11H2V3.5a.5.5 0 0 1 .5-.5zm-11-1A1.5 1.5 0 0 0 1 3.5V12h14V3.5A1.5 1.5 0 0 0 13.5 2zM0 12.5h16a1.5 1.5 0 0 1-1.5 1.5h-13A1.5 1.5 0 0 1 0 12.5" />
</svg>
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</a>
<div class="collapse" id="session-2e">
<div class="well">
<ol>
<li class="mb-3">Martina Mengoni, <i>From the German correspondence to Vanadio:
genesis and epistolary antecedents of a story by Primo Levi</i> [en]
</li>
<li class="mb-3">Paweł Rodak, <i>Constants and variants in Witold Gombrowicz's
Diary</i> [en]</li>
<li>Jagoda Zarzycka, <i>Archives d’Anna Kamieńska : Constantes et
Variantes dans la Genèse du</i> Notatnik (Carnet de notes) [fr]</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 2F -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-2f" aria-expanded="false" aria-controls="session-2f">
Session <b>2F</b> Discussant: <b>Joao Dionisio</b> - Room M (Via Andreatta 8)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_MDY0MWYyZDEtZDZjYi00ZjBhLWE5NmUtYWNhMTA0N2Q2NzU4%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
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</a>
<div class="collapse" id="session-2f">
<div class="well">
<ol>
<li class="mb-3">Carlotta Defenu, <i>Did Fernando Pessoa Write Standing,
Sitting, or Walking?</i> [en]</li>
<li class="mb-3">Teresa Filipe, <i>Fernando Pessoa’s</i> Paradise Lost<i>: a
loose sheet from the archive</i> [en]</li>
<li>Pedro Sepúlveda, <i>Fernando Pessoa’s objectifying variants</i> [en]</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 2G -->
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Session <b>2G</b> Discussant: <b>Milena Giuffrida</b> - Room P (Via Andreatta 8)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_YmEyMGZkMTUtMTcxYS00YzBiLTg1NGUtZThjNjNhOWRhN2I5%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
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<path
d="M13.5 3a.5.5 0 0 1 .5.5V11H2V3.5a.5.5 0 0 1 .5-.5zm-11-1A1.5 1.5 0 0 0 1 3.5V12h14V3.5A1.5 1.5 0 0 0 13.5 2zM0 12.5h16a1.5 1.5 0 0 1-1.5 1.5h-13A1.5 1.5 0 0 1 0 12.5" />
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</a>
<div class="collapse" id="session-2g">
<div class="well">
<ol>
<li class="mb-3">Miryam Grasso, <i>Genesi e scrittura dei romanzi di Cesare
Pavese.
Il caso de “La luna e i falò”</i> [ita]</li>
<li class="mb-3">Angela Siciliano, <i>La rivolta contro i “padri” di Bassani: in
cerca di uno stile personale</i> [ita]</li>
<li>Monica Zanardo, <i>Nei meandri compositivi del “Porto di Toledo” di Anna
Maria
Ortese</i> [ita]</li>
</ol>
</div>
</div>
</div>
</div>
<hr>
<div class="row mt-2">
<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">1.00 PM - 2.30 PM</span>
</p>
</div>
<div class="col-md-8">
<p class="presenter">Lunch Break (Via Andreatta 8)</p>
</div>
</div>
</div>
<div class="col-md-6 time-border mt-2">
<div class="row mt-2">
<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">2.30 PM – 3.15 PM</span>
</p>
</div>
<div class="col-md-8">
<!--<p class="justify p-section"><i>Theoretical issues in genetic criticism</i></p>-->
<p class="presenter">
<span class="bold">Key Note 2 Giulia Raboni</span> (University of Parma) <i>Constructing
and using genetic apparatuses. The case of Manzoni’s “Promessi sposi”</i>
</p>
</div>
</div>
<div class="row mt-2">
<div class="col-md-4">
<p class="color-black justify p-section"><span class="time-span">3.15 PM - 4.15 PM</span>
</p>
</div>
<!-- PARALLEL SESSION 3 -->
<div class="col-md-8">
<p class="presenter bold">3. <i>The “short century” between constants and variants</i>
</p>
</div>
</div>
<!-- PARALLEL SESSION 3A -->
<div class="row">
<div class="col-md-12">
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data-target="#session-3a" aria-expanded="false" aria-controls="session-3a">
Session <b>3A</b> Discussant: <b>Christian Del Vento</b> - Pascoli Room (Via Zamboni
32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_NjRhYTIwOGEtNmU5Ni00ODc2LTk4YmItNmRjNTg4YjllMGZj%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
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<div class="collapse" id="session-3a">
<div class="well">
<ol>
<li class="mb-3">Dino Manca, <i>Il laboratorio di scrittura di Grazia
Deledda.
Critica delle varianti e diacronie linguistiche</i> [ita]</li>
<li class="mb-3">Elena Niccolai, <i>Questo resterà di tutto quello che vedi:
/
uno schema di foglia e una coppa di ghianda: alcune note per il
commento
di</i> Questo muro <i>di Franco Fortini</i> [ita]</li>
<li class="mb-3">Chiara Ferrara, <i>Effetti d’un sogno interrotto: uno
specimen per uno
studio genetico sulla narrativa breve dell’ultimo Pirandello</i>
[ita] <span class="bg-white color-dimgray padding-x-10">Online</span></li>
<li>Francesco Venturi, <i>“Dentro, nella pentola”. Attraverso i materiali
genetici di Corporale e Sipario ducale di Paolo Volponi</i> [ita]
</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 3B -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"
data-target="#session-3b" aria-expanded="false" aria-controls="session-3b">
Session <b>3B</b> Discussant: <b>Giulia Raboni</b> - Guglielmi Room (Via Zamboni 32)
</button>
<a href="https://teams.microsoft.com/l/meetup-join/19%3ameeting_NzkzZTlmYzUtMWFhZS00MzgyLWFjYzktNmFjMDE3OWZhZTlm%40thread.v2/0?context=%7b%22Tid%22%3a%22e99647dc-1b08-454a-bf8c-699181b389ab%22%2c%22Oid%22%3a%22c800cc5a-c48e-42f1-8985-c6fdbc7b7f9b%22%7d"
title="Teams link" target="_blank"><button class="time-span">
<svg xmlns="http://www.w3.org/2000/svg" width="16" height="16" fill="currentColor"
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<path
d="M13.5 3a.5.5 0 0 1 .5.5V11H2V3.5a.5.5 0 0 1 .5-.5zm-11-1A1.5 1.5 0 0 0 1 3.5V12h14V3.5A1.5 1.5 0 0 0 13.5 2zM0 12.5h16a1.5 1.5 0 0 1-1.5 1.5h-13A1.5 1.5 0 0 1 0 12.5" />
</svg>
</button>
</a>
<div class="collapse" id="session-3b">
<div class="well">
<ol>
<li class="mb-3">Giuliana Di Febo-Severo, <i>Supporti del poeta-traduttore: i
volumi francesi nella biblioteca di Vittorio Sereni</i> [ita]</li>
<li class="mb-3">Guido Mazza, Un progetto / sempre in divenire». Le varianti
della prosa di Vittorio Sereni [ita]</li>
<li>Riccardo Sturaro, <i>Costanti e varianti nei brogliacci dell’ultimo Luzi:
studio genetico di</i> Non perderti, non allontanarti dal pensiero [ita]
</li>
</ol>
</div>
</div>
</div>
</div>
<!-- PARALLEL SESSION 3C -->
<div class="row">
<div class="col-md-12">
<button class="button-round-reverse" type="button" data-toggle="collapse"